Research

ARTICLES

Maiya Murphy, “Imaginative play for a predictive spectator: Theatre, affordance spaces, and predictive engagement,” Phenomenology and the Cognitive Sciences, Dec 2021, https://rdcu.be/cCr1H

CONFERENCE PRESENTATIONS

Laura Hayes, The Backstory of Things, Directing and Dramaturgy Working Group, Theatre & Performance Research Association, University of Leeds, UK, August – September 2023

Laura Hayes, Scripting the Body, Global Connections: Performance Pedagogy and Practice, LASALLE College of the Arts, Singapore, June 2023

Maiya Murphy, Distributed Cognition for Navigating Shifting Centers, Performance as Research Working Group, International Federation for Theatre Research, Reykjavík, Iceland, June 2022

Maiya Murphy, Framing Practice-as-Research in Performance as Enactive Research into Embodied Cognition”, A Body of Knowledge: Cognition and the Arts II conference, Deakin University, Melbourne, Australia, June 2019

Maiya Murphy, Provenance: A Cognitive Study of Practice-as-Research in Theatremaking, Cognitive Futures in the Arts and Humanities conference, Johannes Gutenberg Universität Mainz, Mainz, Germany, June 2019

Laura Hayes, The (play)box: Play-writing through play, objects, and the body, International Federation for Theatre Research (IFTR), Belgrade, Serbia, June 2018

THESES

Provenance was created using an original (play)box written by Laura Hayes. This was the subject of her MA by Research with Birmingham University, ‘Out of the (play)box: An investigation into strategies for writing and devising’ (2018). You can access it here.